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Choose the option that would fill in the blanks meaningfully in the sentence(s) below: ______ the importance of ‘horizontal stratification’ ______ higher education is widely acknowledged, ______ attention has been applied to horizontal stratification ______ compulsory schooling.
Please study the paragraph given below:
In 1942, the French writer Albert Camus composed an essay, ‘The Myth of Sisyphus’. It draws on the Greek fable of a man condemned to roll a rock up a mountain only to have it roll back down under its own weight, a ______ that lasts for eternity. Camus argues that this image ______ the human condition in a world where we can no longer make sense of events; but instead of committing suicide, we should ______ ourselves to this ‘elusive feeling of absurdity’ and bear it as best we can. In this sense, Sisyphus is the ideal hero.
Consider the following words:
1. surrender
2. choice
3. symbolises
4. quandary
5. attune
6. option
7. reconcile
8. depicts
Which of the following options is the most appropriate sequence that best fits the blanks in the above paragraph?
Study the first sentence and then identify from among the options given the closest antonym of the highlighted word in the second sentence:
It’s conventional wisdom that procreation between first cousins is unhealthy. But what are the actual genetic risks?
Carefully read the following paragraph:
Who could resist the idea of remembering everything they wanted to, without trying? Learning would be made easy, exams a ______ and you would never forget where you left your keys. And memory-related disorders like Alzheimer’s would have met their match. So, it is of little surprise that scientists have turned their attention to ways of ______ human memory using techniques that ______, supplement or even mimic parts of the brain. The immediate goal is to treat memory disorders, but the idea of a memory ______ for everyday life is gaining ground.
Fill in the blanks in the above paragraph, with the best option from among the following:
Read the following statements and answer the question that follows:
1. They subjected the residues from sherds of the rhyta- vessels to radiocarbon dating to determine their ages and chromatography - mass spectrometry (GC-MS) - to identify their structure and isotopic composition and found that the vessels were used to store cheese.
2. In many Neolithic sites near the Adriatic Sea, researchers unearthed cone-shaped clay vessels, known as rhyta, with four legs on the bottom and a round opening on the side.
3. Fresh milk couldn’t be kept for long without going bad; cheese, on the other hand, could be stored for months at a time, providing much-needed calories to early farmers between harvests.
4. Archaeologists who used to assume animals such as cows and goats were mainly used for meat early in their domestication history are thus forced to admit that humans might have been using animals for dairy quite early in their domestication history.
5. “If you kill one cow, you eat meat for about a week until it goes off; but by milking the animals, the farmer would be spreading the food gain from that animal over several months rather than just one week”
Rank the above five statements so as to make it a logical sequence:
Read the following statements and answer the question that follows:
1. An in-depth exploration of the Indian case and case studies of early adopters of mobile technology will provide spectrum managers a pragmatic and modern approach whereby they could utilize their resources efficiently and optimally.
2. Even as spectrum management regimes are moving from a command and control regime to a flexible use regime, new technological developments are suggesting that there are significant opportunities in managing large swathes of spectrum as a common property resource, in addition to flexible use.
3. Political legacies and market realities in different regimes pose unique challenges for spectrum managers who must negotiate a tricky path to the land promised by technological possibility.
4. On the other hand, supply of spectrum is restricted due to competing nature of uses and vested interests of incumbent holders.
5. The demand for spectrum has never been so acute as today's communication services extend beyond simple voice to complex data and video, augmented by evolving technologies such as peer-to-peer sharing, social networking, Fourth and Fifth Generation networks, Big Data, and cloud computing.
Rank the above five statements so as to make it a logical sequence:
Direction: Read the poem given below and answer the question that follows it:
Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.
A little light is filtering from the water flowers
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.
Cold words shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;
Stars opening among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of abandoned souls.
Which of the following options best explains the effect of the images in Line 1?
Direction: Read the poem given below and answer the question that follows it:
Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.
A little light is filtering from the water flowers
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.
Cold words shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;
Stars opening among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of abandoned souls.
Which of the following options presents a convincing evaluation of the line, ‘Stars opening among the lilies’?Direction: Read the passage given below and answer the questions that follow it:
Does having a mood disorder make you more creative? That’s the most frequent question I hear about the relationship. But because we cannot control the instance of a mood disorder (that is, we can’t turn it on and off, and measure that person’s creativity under both conditions), the question should really be: Do individuals with a mood disorder exhibit greater creativity than those without? Studies that attempt to answer this question by comparing the creativity of individuals with a mood disorder against those without, have been well, mixed.
Studies that ask participants to complete surveys of creative personality, behavior or accomplishment, or to complete divergent thinking measures (where they are asked to generate lots of ideas) often find that individuals with mood disorders do not differ from those without. However, studies using “creative occupation” as an indicator of creativity (based on the assumption that those employed in these occupations are relatively more creative than others) have found that people with bipolar disorders are overrepresented in these occupations. These studies do not measure the creativity of participants directly, rather they use external records (such as censuses and medical registries) to tally the number of people with a history of mood disorders (compared with those without) who report being employed in a creative occupation at some time. These studies incorporate an enormous number of people and provide solid evidence that people who have sought treatment for mood disorders are engaged in creative occupations to a greater extent than those who have not. But can creative occupations serve as a proxy for creative ability?
The creative occupations considered in these studies are overwhelmingly in the arts, which frequently provide greater autonomy and less rigid structure than the average nine-to-five job. This makes these jobs more conducive to the success of individuals who struggle with performance consistency as the result of a mood disorder. The American psychiatrist Arnold Ludwig has suggested that the level of emotional expressiveness required to be successful in various occupations creates an occupational drift and demonstrated that the pattern of expressive occupations being associated with a greater incidence of psychopathology is a self repeating pattern. For example, professions in the creative arts are associated with greater psychopathology than professions in the sciences whereas, within creative arts professions, architects exhibit a lower lifetime prevalence rate of psychopathology than visual artists and, within the visual arts, abstract artists exhibit lower rates of psychopathology than expressive artists. Therefore, it is possible that many people who suffer from mood disorders gravitate towards these types of professions, regardless of creative ability or inclination.
Go through the following:
1.Mood disorders do not lead to creativity
2.The flexibility of creative occupations makes them more appealing to people with mood disorder
3.Mood swings in creative professions is less prevalent than in non-creative professions
Which of the following would undermine the passage’s main argument?
Direction: Read the passage given below and answer the questions that follow it:
Does having a mood disorder make you more creative? That’s the most frequent question I hear about the relationship. But because we cannot control the instance of a mood disorder (that is, we can’t turn it on and off, and measure that person’s creativity under both conditions), the question should really be: Do individuals with a mood disorder exhibit greater creativity than those without? Studies that attempt to answer this question by comparing the creativity of individuals with a mood disorder against those without, have been well, mixed.
Studies that ask participants to complete surveys of creative personality, behavior or accomplishment, or to complete divergent thinking measures (where they are asked to generate lots of ideas) often find that individuals with mood disorders do not differ from those without. However, studies using “creative occupation” as an indicator of creativity (based on the assumption that those employed in these occupations are relatively more creative than others) have found that people with bipolar disorders are overrepresented in these occupations. These studies do not measure the creativity of participants directly, rather they use external records (such as censuses and medical registries) to tally the number of people with a history of mood disorders (compared with those without) who report being employed in a creative occupation at some time. These studies incorporate an enormous number of people and provide solid evidence that people who have sought treatment for mood disorders are engaged in creative occupations to a greater extent than those who have not. But can creative occupations serve as a proxy for creative ability?
The creative occupations considered in these studies are overwhelmingly in the arts, which frequently provide greater autonomy and less rigid structure than the average nine-to-five job. This makes these jobs more conducive to the success of individuals who struggle with performance consistency as the result of a mood disorder. The American psychiatrist Arnold Ludwig has suggested that the level of emotional expressiveness required to be successful in various occupations creates an occupational drift and demonstrated that the pattern of expressive occupations being associated with a greater incidence of psychopathology is a self repeating pattern. For example, professions in the creative arts are associated with greater psychopathology than professions in the sciences whereas, within creative arts professions, architects exhibit a lower lifetime prevalence rate of psychopathology than visual artists and, within the visual arts, abstract artists exhibit lower rates of psychopathology than expressive artists. Therefore, it is possible that many people who suffer from mood disorders gravitate towards these types of professions, regardless of creative ability or inclination.
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